CutSync by CutAtlas
The edit starts
on set.
CutSync pulls takes from the video assistant as they come in on set, imports them straight into your Adobe Premiere Pro project, and copies the media onto the editor's drive in the background, so the cut can begin while the shoot is still running.
In development · A public waitlist will open later
From the video assist to the timeline.
Getting footage off set and into an edit-ready state is logistics, not craft — copying cards, naming clips, building a project, waiting for the transfer to finish. CutSync takes over that path, so the material is on the editor's machine and in Premiere before anyone leaves the location.
Straight from the video assist
Pulls takes from the video assistant's system on set as they are recorded — no waiting for a card to be handed over at wrap.
Imported into your project
Brings the footage directly into an Adobe Premiere Pro project, so the editor opens a session that is already populated, not an empty bin.
Copied to the editor's drive
In the background, copies the media from the assistant's computer onto the editor's local drive, so the material is secured and ready the moment editing starts.
Four tools, one workflow.
CutSync, CutCompose, CutMap, and CutBridge cover a Premiere Pro editor's work from the set onward — from getting the footage in, through the first assembly and keeping the project legible, to the finishing handoff.
CutSync, on set
Brings footage from the video assist into Premiere Pro and onto the editor's drive while the shoot is still running. In development.
CutCompose, the start
Builds the roughcut from your script, storyboard, and footage, so editing begins from a structured assembly.
Explore CutCompose →CutMap, through the edit
Keeps a long project legible — bins and sequences as a visual map, with versioning and status tracking.
Explore CutMap →CutBridge, the handoff
Packages the finished cut for color, online, and sound — interchange files and burn-in references, cleanly structured.
Explore CutBridge →